SELECTED MODERN STOCK
Click on the image for a larger view & details
Prices are in US Dollars
GOENEUTTE, Norbert (1854-1894): Etching printed in dark brown ink on tan paper, 1891. De Knyff 103, |
|
GOYA, Francisco (1746-1828): Etching with aquatint, 1797-99. Harris 46, III, 1, first edition of 1799
|
|
GRIGGS, Frederick L. (1876-1938): Etching, 1935. |
|
HEYMAN, Charles (1881-1915): Etching and drypoint, 1908. Sanchez and Seydoux 55, fourth state of five. Published by Sagot, Paris. From the artist’s estate, signed in pencil by his mother
|
|
ISABEY, Eugene (1803-86): Lithograph, 1832. Curtis 61, second state of five before erasure of the names Morlot and McLean. With the dry-stamp V. Morlot, Paris |
|
JEANNIOT, Pierre Georges (1848-1934): Drypoint. Signed in pencil. Inscribed “1re état 2/6”, that is, the second of only six impressions in the first state.
|
|
JONGKIND, Jean-Barthold (1819-91): Etching, 1862. Delteil 8, third state of four, as published by Cadart and Luquet, with their blind-stamp.
|
|
KLINGER, Max (1857-1920):
Etching, engraving, aquatint and mezzotint. Singer 286, fifth state of seven. Signed in pencil |
|
KNIGHT, Dame Laura (1877-1970): Aquatint, 1932. Bolling and Worthington 70. Signed in pencil and dedicated to Peter Casson |
|
LAAGE, Wilhelm (1868-1906): Woodcut, 1906. Hagenlocher 65. |
|
LEPERE, Auguste (1849-1918): Lithograph printed in colours, 1897. Lotz-Brissoneau106. Edition 600 |
|
MAURIN, Charles (1856-1914): Aquatint in the manner of a wood-engraving, printed on oatmeal paper with another impression on the verso, ca. 1900. Signed in pencil. Frécheret, 1986, no. 748; Camille Maurin, un Symboliste du Réel, Musée Crazatier, le Puy-en-Velay, 2006, catalogue no. 55, as a wood-engraving. Without the initials in the plate as in this catalogue |
|
MULLER, Alfredo (1869-1939): Etching and drypoint, 1897. Koehl E11. Signed in pencil, edition size unknown. Colour impressions are also found. |
Selected Modern Stock A - F G - N O - Z